Tuesday, December 1, 2015

Who I Am By

                                                                        Who I Am 

I am a mixture of many ethnic backgrounds. The most dominant one is my Mexican background. It’s in every aspect of my life. It’s a part of who I am. Even though I’m Salvadorian and Costa Rican, my Mexican background is the one that’s closest to my heart. Growing up half Mexican posed many challenges for me all throughout middle school and staying connected to my roots. 
The first thing people would point out was the lightness of my skin. I figured that most people thought that I was too light skinned to me Mexican. Then as I progressed into middle school, I began to realize that it was more than the color of my skin. I became more aware of who my friends were and how they were raised. Their perceptions of life made me look back on myself and how I was raised. Their first language was Spanish, I didn’t know a lick of Spanish besides Hola and Como estasMy first language was English. Then their commentary got to me, and they would say things like, “You should know how to speak Spanish” and “You should know how to cook”. Their words stung. Our worlds were clashing. I was always “white washed” and “stuck up” and my all-time favorite “Don’t you live in PV?” This all ties back to the lightness of my skin. People were always assuming because of the color of my skin. I would always tell myself, “I’m more than the color of my skin”. I’m Mexican and it’s a part of who I am. 
One of the ways I was able to stay connected with my Mexican roots was Folkorico. It’s Mexican Dancing and I danced for seven years. I always loved being adorned in bright, lively colors that made me happy. The sway of my red skirt brought forth so much jovialness. When my “friends” constantly judged me for who I was, I always thought back on Folkorico because it made me feel deeply rooted within my Mexican culture. I held onto it when my friends would pester me about my looks, language, and family, but I fought back. I defended myself and there’s no need to justify why I’m Mexican. Yes, it caused many conflicts, but I was keeping steady with my values. I wasn’t able to conform to their idealistic views on being Mexican. It was through Folkorico, I was able to keep an anchor to all that I held dearest of my roots.  
Staying deeply rooted with my culture is important to me because it’s a part of my identity. Without it, I’d be lost. In that particular age, I was able to grapple with the conflicts that made me grow. Now, I am awaken, but I’m still learning and I’m still growing. 

Friday, October 2, 2015

"Who is Judith Ortiz Cofer?" An Essay By Amaris Toruno

                                                    “Who is Judith O. Cofer?”


                Judith Cofer is a writer who tells us of her life through stories. She is a novelist, poet, and an educator. We’re taken on a journey in which she tells us of her childhood and being Puerto Rican. Mrs. Cofer exposes us to many conflicts and recurring themes.
            One of the conflicts she faced was colorism, where the color of her skin became an issue. In Puerto Rico, her skin was considered “white”. Her light complexion was considered beautiful. For example, “People were always commenting within my hearing about how my black hair contrasted so nicely with my pale skin” (pg. 136). She didn’t think much about the color of her skin, and when she came to the United States, she was faced with another type of horror. In America, people of color faced many challenges. In this case, Mrs. Cofer came in contact with prejudice from others. Her “light” skin was no longer beloved, but judged. Her first experience was when the older brother with the dirty apron told her “’Don’t come in here unless you gonna buy something. You PR kids put your dirty hands on stuff. You always look dirty. But maybe dirty brown is your natural color’” (pg. 138). After this moment, she starts to feel self-conscious of her skin color. People spoke volumes of being unaccepting toward her skin color. For instance, she begins to experience insecurities that have been placed by American society. Cofer becomes self-conscious when she suffers from a bad case of chicken pox. Her “…entire body, including the insides of my ears and in between my toes, was covered with pustules which in a fit of panic at my appearance I scratched off my face, leaving permanent scars” (135). Her appearance was a force to be reckoned with when hiding her face became a security blanket. “I grew my hair long, and hid behind it for the first years of my adolescence” (135). This quote clearly explains her need to hide and to “…be invisible” (135), and at this time in her age, she was swimming in insecurities. She begins to question her own beauty that was recognized as ugly to most Americans. She says, “How was I to know that she and the others who called me ‘pretty’ were representatives of an aesthetic that would not apply when I went out into the mainstream world of school?” (142). Her self-image was perceived differently at home than it was in the United States. Lastly, she has a crisis with her own identity.
Being in two different cultures made it difficult for her to identify with either of them. The alienation of her skin color made her feel alone. In the midst of her loneliness, her escapes were reading. The books she read “…contained most of the information I needed to survive in two language and in two worlds” (pg. 133). Cofer’s rite of passage was in the words she read, and the characters in books that always seem to stay just for her. She sought out a connection and acceptance, which wasn’t found in real people, but fictional characters. A book frozen in time, never moving, and she could always pick up where she left off. During the times in which she felt the loneliness, she would “…read to escape and also to connect: you can come back to a book as you cannot always to a person or place you miss” (pg. 133). In her struggles for finding a connection, there was none. Her identities were at a standstill. Through the public library she found a spark that ignited in to a fire. A fire that helped led her way in the midst of her lonely survival.
            A recurring theme in this book is the cultural differences that separates Cofer’s world. The societies in which she both lived in are completely different. Their values, religions, families, and racial backgrounds are not the same. As a Puerto Rican woman, Mrs. Cofer face many difficulties. She was expected to act a certain way. If she acted in such an “unlady-like” manner, there would be consequences. For example, when Cofer was kissed by Ira, a faculty member called both their mothers. Her mother told her “…a girl begins to look like one when she allows herself to be handled by men” (pg. 126). Like a Puerto Rican women, Cofer was told to act like a lady and to never be promiscuous. The thought of even being sexually curious was forbidden. For instance, a Puerto Rican woman is deprived of sexual exploration, but her “spicy” complexion said something else. Men will look at Latina women with hungry faces and drool dripping from their mouths. Back home, Puerto Rican women are praised from afar. Men were able to look, but not allowed to touch. The differences between these two societies is that Puerto Rican men are more restrained than American men. For example, the “…family and church structure could provide a young woman with a circle of safety in her small pueblo on the island; if a man “wronged” a girl, everyone would close in to save her family” (pg. 150). A woman is safe and sound. No man can pop the bubble in which she’s protected in. Back in America, her “dirty” skin told a different story. Even if men drooled all over Latina women, there was still prejudice.
 During this time period, Puerto Ricans and African Americans were seen differently. There was racial injustice on both sides of the fence. Cofer points out “I have on occasion become angry at being treated like I’m mentally deficient by persons who made that prejudgment upon hearing an unfamiliar accent” (pg. 133). Cofer also suffered from being tormented by her African American peers. With her hunger to read every book in sight, Cofer became a target. At the time she didn’t understand why Lorraine would bully her. Cofer became a perfect target for Lorraine to ridicule her, “…the skinny Puerto Rican whose father was away most with the navy most of the time and whose mother did not speak English: I was the perfect choice” (pg. 131). Cofer knew that Lorraine’s anger harbored resentment because of their totally different racial identities. It was before she “…internalized the awful reality of the struggles for territory that underscored the lives of blacks and Puerto Ricans in Paterson…” (pg. 132). There was a reason for Lorraine’s blind hatred. Racism played a heavy roll on African Americans. It affected Puerto Ricans as well, but not as harshly African Americans. The color of Cofer’s skin played a significant roll growing up. Throughout her childhood and adolescence, Cofer also faced the iron fist of racism.

            Judith O. Cofer wants us to self-reflect on our past experiences and relate them back to her childhood. She is an educator who reveals the true nature of the challenges she faced as a child and a teenager. How do we see the world through our own eyes? How will we face the challenges that lie ahead? 

Work Citation
Cofer Ortiz, Judith. The Latin Deli. Georgia: University of Georgia Press, 1993. Print
Cofer Ortiz, Judith. The Latin Deli. New York, London: W.W Norton & Company, Inc, W. W. Norton & Company Ltd, 1995. Print 

Friday, September 11, 2015

"The Paterson Public Library" By Judith Ortiz Cofer

2a. "All during the school week I both anticipated and feared the long walk to the library because it took me through enemy territory." Pg. 130

"It would be many years before I learned the politics of race, before I internalized the awful reality of the struggle for territory that underscored the lives of blacks and Puerto Ricans in Paterson in my childhood." Pg. 132

b. Lorraine, the African American girl, and the narrator

c. The source of it is internal conflict, racism, and colorism. The narrator didn't suffer as much as Lorraine and the narrator was the perfect target to bully. It wasn't just being bullied for being literate, it was the issues that have been deep embedded within American Society.

4a. This chapter is about the Paterson Public Library and how it was the narrator's sanctuary.

b. "A library is my sanctuary, and I am always at home in one." Pg. 134

c. "They represent my spiritual life," (pg. 134). She finds solstice in the library. Diving into the books made her escape and go into another world. "I read and reread my favorite books until the character seemed like relatives or friends...." (pg. 133). She lived in another world and soon enough those fictional characters became family.

    5a.         Topics

  • Racism
  • Sanctuary
  • Fear
  • Jealousy
  • anger
  • Happiness
  • Spirituality
  • zealous 
b. "Each job given to a light-skinned Hispanic was one less job for a black man....." (pg. 132).
"It was the way I absorbed fantasy in those days that gave me the sense of inner freedom, a feeling of power and the ability to fly that is the main reward of the writer." (pg. 132). 

Monday, September 7, 2015

"American History" By Judith Ortiz Cofer

1 a. Elena's mother is becoming very attentive towards Elena because she has started her period. When Elena leaves to go study with Eugene her mother tells her that she's setting herself up for disaster. Elena's mother is also unhappy living in Paterson.

 Eugene is the boy that the narrator likes and she mentions how smart he is and he felt the same way about her. What we do know is that he just moved to Paterson, New Jersey and he goes to Elena's school.

b. The narrator is coming of age other than starting her period she begins to like a boy named Eugene. She also has a strong passion for reading and she's very bright. On page page 11 she says, "As for me, I was going to go to college and become a teacher." This shows us that she's very driven and she's working toward her goal.

3 a. The narrator is in ninth grade and the story is set in the 1960's. This chapter also talks about the death of President Kennedy and how the people in El Building dealt with his death.

b. The chapter takes place in Paterson, New Jersey and Elena and her family are immigrants who migrated from Puerto Rico. She lives in El Building with other immigrants who came from "the island" and they're always ". . . blasting out salsas from open windows as the residents, mostly new immigrants just up from the island, tried to drown out whatever they were currently enduring with loud music."(pg. 7). The quote also states that these new immigrants are new to the Untied States and they must adjust to their new lives.These are people who have been through many hardships before they came to America and they have a long way to go.

4 a. "American History" is a slice of the narrator's life growing up. We're exposed to her experiencing racism for the first time and developing feelings for a boy who didn't reject her. She also shows us how her mother becomes wary after she had her period. Lastly, we get to experience the death of President Kennedy and how Elena's mother and El building dealt with it,

9 a. Socio-cultural issues are customs, lifestyle, and values that characterize a society. There are many examples of socio-cultural issues in "American History", but these were that I picked. On page 8 the narrator has expressed her strong feelings of being miserable because she forgot her gloves and her knuckles were turning red from being so cold outside. As we go into the next page an African American girl named Gail said, " 'Didn't you eat your rice and beans and pork chops for breakfast today?' " Elena begins to feel insecure about herself because she can't keep up with these girls. Then she begins to go into detail about her insecurities, "They always seemed to warm while I froze.'' (pg. 8) Another example is when Elena goes to Eugene's house to study and she's confronted by his mother. Elena is blown away by how sweet his mother's voice is, but its not friendly. " ' . Eugene doesn't want to study with you. He is a smart boy. Doesn't need help. You understand me. . .' " (pg. 14). Elena experiences racism for the first time. She realizes that this woman has a clear meaning behind her words. Her tone is harsh and unwelcoming. Elena's feelings are hurt and she tried crying for the death of President Kennedy, but her tears came from somewhere deep inside her.


                 Issues

  • Prejudice 
  • Racism
  • judgement 
  • Immigration
  • American Society's views on immigration
  • Insecurity 
  • Lack of Empathy 
  • Adjustment